Art writer Gala Bent finds the found art of Lynn Aldrich.
Posted by Gala Bent

Kaufmann investigates Stuart Snoddy's two-dimensional work.
Posted by Michael Kaufmann

Gala Bent looks at the ways Robert Hardgraves health and illness spill into his art.
Posted by Gala Bent

Michael Kaufmann avoids psychoanalyzing the Marsh-Mellow Man while talking to artist Greg Ajamie.
Posted by Michael Kaufmann

Geography and narrative in the art of Kyle Ragsdale.
Posted by John Beeler

Gala Bent on Cindy Hinant's luridly colorful collections.
Posted by Gala Bent

Gala Bent discusses the "graceful clumsiness" of artist Casey Roberts.
Posted by Gala Bent

Gala Bent talks with artist Mary Temple about discipline, play, and invasion.
Posted by Gala Bent

Artist and student of art history Josh Rios interviews artist, musician, and gallery owner Paul Slocum.
Posted by Josh Rios

The Deermilk Collective uses innocence to provoke reflection on our culture’s obsession with childhood.
Posted by Allison Davis

Gala Bent on the self-studied sculpturing of Justin Novak.
Posted by Gala Bent

Gala Bent describes how illustrator Penelope Dullaghan uses art to build community.
Posted by Gala Bent

The sculpture but not sculpture art of Erwin Wurm.
Posted by Zack Bent

Mapping Sampsonia Way
Posted by Gala Bent

The Language of Paint
Posted by Gala Bent

Gala Bent on the "highly aestheticized, scientific" painter Rachel Illingworth.
Posted by Gala Bent

Something About Restraint
Posted by Zack Bent

Ross Sawyers' photographs illustrate a sense of suburban isolation with quiet, studied impact.
Posted by Gala Bent

Beauty and Terror in the work of Jen Corace.
Posted by Gala Bent