Unusual Animals Vol 5
- 7inch $$6.00
Release date: May 19, 2009
When David “Moose” Adamson was in grade school, his uncle took note of his developing interest in hip-hop and loaned him a four-track. They mixed tracks together and the young Adamson would write rhymes to sing over them, including a double-boombox sequel to Fu-Schnicken’s “What’s Up Doc (Can We Rock?)” called “Sufferin’ Succotash (I Got Whiplash)” At first the beats came from instrumental sides of cassette singles, then from presets on his uncle’s drum machine, and finally from his very own beat machine (a Christmas gift), the Yamaha DD-9. Since then, through various incarnations and collaborations with groups such as Archer Avenue and BIGBIGcar, Adamson’s musical interests and excursions have crystallized into a startlingly singular and eclectic songwriting strategy. Jookabox’s debut record, Scientific Cricket, samples a kind of primordial blues sound, children’s sidewalk-chalk rhymes and Appalachian folk. But his latest effort finds him moving into new, unplumbed territories. Ropechain pinwheels kaleidoscopically through old-time spirituals, punk, chain-gang hymnal, deep house, and club music hip-hop, blending these disparate elements into a cohesive and unique synthesis. “Dead Zone Boys” gives us a sneak peak of what is to come on Jookabox’s third release, due out early 2010.
There he was, this musically lucked child of a once-priest and a near-nun, 12 years old and piled high with a Radio Shack combo stereo, stacks of records, and pockets full of dubbed tapes. It was 1984 and Martin Dosh was orchestrating the soundtracks to his junior high school dances, playing only the choice cuts for the budding romantics and perspiring wallflowers: Run DMC, Prince, Devo, the Cars, New Order… Fast-forward to 2003 when Anticon proudly released Dosh’s virtuoso debut, Dosh, a loop-building collage of shimmering Rhodes, atypical drumming grounded in groove, field recordings and spontaneous performance (much of the album was pieced together using the 100-plus hours of tape he’d recorded at his parents’). By then he’d developed his untouchable live one-man show (swiveling on his drum stool between a kit, his modified Rhodes piano, a few pots and pans, and a simple looping pedal with a 12-second recording limit), and took to the road. To date Dosh has recorded with Bonnie ‘Prince’ Billie, Fog, Jel, Odd Nosdam, Neotropic, Andrew Bird, Redstart, Vicious Vicious, Poor Line Condition, Lateduster, Why?, the Interferents, members of Tapes ‘N Tapes, and just about any Twin Cities band with a collective ear for good taste and experimentation. He has shared the stage with Andrew Bird, Wilco, Why?, Damo Suzuki, Gary Wilson, Golden Smog, Sole, My Morning Jacket, Tapes ‘n Tapes, cLOUDDEAD, Sage Francis, Devendra Banhart, Kid Dakota, Alias, Themselves, Peanut Butter Wolf, P.O.S., Happy Apple, Joseph Arthur, Pizza Boys, the Bad Plus, The Jayhawks, Atmosphere, DJ Vadim and many more.
This is the fifth in a series of vinyl-only releases. The series, entitled Unusual Animals, pairs Asthmatic Kitty roster artists with friends and sometimes-unlikely bedfellows. Each record includes a beautiful rendering of one of Mother Nature’s stranger inhabitants by illustrator Jared Chapman. This limited-edition series expands the Asthmatic Kitty family to include some unexpected folks.